Setlist at The Fillmore San Francisco, CA on Oct 19, 2000
Set One
Soundscape Intro
62
Larks' Tongues in Aspic (Part IV)
550
Coda: I Have A Dream
168
The ConstruKction of Light
552
Into The Frying Pan
394
Adrian Announcement
26
FraKctured
542
Thela Hun Ginjeet
350
Dinosaur
324
Improv I
552
ProzaKc Blues
347
Improv II
250
One Time
344
Frame By Frame
334
First Encore
Red
492
Three Of A Perfect Pair
248
Elephant Talk
401
Second Encore
Deception Of The Thrush
521
Heroes
369
The Fillmore
San Francisco, CA
Oct 19, 2000
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Setlist at The Fillmore San Francisco, CA on Oct 19, 2000
Set One
Soundscape Intro
62
Larks' Tongues in Aspic (Part IV)
550
Coda: I Have A Dream
168
The ConstruKction of Light
552
Into The Frying Pan
394
Adrian Announcement
26
FraKctured
542
Thela Hun Ginjeet
350
Dinosaur
324
Improv I
552
ProzaKc Blues
347
Improv II
250
One Time
344
Frame By Frame
334
First Encore
Red
492
Three Of A Perfect Pair
248
Elephant Talk
401
Second Encore
Deception Of The Thrush
521
Heroes
369
Show Notes
They say there’s no rest for the wicked and if that’s the case King Crimson must have been especially bad given that just two days after stepping off the stage in Tokyo they walk onto the boards at San Francisco’s Fillmore at the start of a marathon Fall tour.
With the first half of the concert presenting the bulk of ConstruKction Of Light, the opening run of numbers hurtles along at some pace. Highlights include Belew’s Dylanesque delivery of the vocal coda of LTIA IV, and the fast running lines of FraKctured sounding especially savage.
In the audience that night seeing King Crimson for the very first time was Aaron Deglanville, who shared his views on Elephant Talk. “It is immensely impressive to me in retrospect that KC began the first of their 3 SF shows (the very first show of the US tour, no less) with what may be the most difficult songs in their repertoire: LTiA IV, TCoL, and FraKctured were all played very early on--a ballsy if inadvisable choice. LTiA IV began unevenly, plagued by intermittent timing errors until finding its feet about halfway through.”
Though Aaron’s not wrong about some of the unforced errors here and there, this is a pretty strong opening blast. The first improv in the second set morphs from spacey abstraction into stomping tearaway soloing from Fripp’s fiery fretboard. Smokin’ as they say.
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