Setlist at House Of Blues Los Angeles, CA on Oct 24, 2000
Set One
Larks' Tongues in Aspic (Part IV)
629
Coda: I Have A Dream
177
ProzaKc Blues
341
The ConstruKction of Light
528
FraKctured
557
Improv I
123
One Time
384
Into The Frying Pan
386
Improv II
516
Dinosaur (Incomplete)
291
Frame By Frame
375
Red
472
Three Of A Perfect Pair
253
The Deception Of The Thrush
662
The World's My Oyster Soup Kitchen Floor Wax Museum
490
Elephant Talk
329
Heroes
415
House Of Blues
Los Angeles, CA
Oct 24, 2000
Stream this show and the entire King Crimson catalog
Start your free streaming trial today to listen to every show.
Learn More
$9.95
Setlist at House Of Blues Los Angeles, CA on Oct 24, 2000
Set One
Larks' Tongues in Aspic (Part IV)
629
Coda: I Have A Dream
177
ProzaKc Blues
341
The ConstruKction of Light
528
FraKctured
557
Improv I
123
One Time
384
Into The Frying Pan
386
Improv II
516
Dinosaur (Incomplete)
291
Frame By Frame
375
Red
472
Three Of A Perfect Pair
253
The Deception Of The Thrush
662
The World's My Oyster Soup Kitchen Floor Wax Museum
490
Elephant Talk
329
Heroes
415
Show Notes
The gremlins that stalked the previous evening’s performance have taken a hike on this second night at the House Of Blues.
From an authoritative LTIAptIV (including some gasp-inducing precision stops), a swaggering guest appearance from Hooter J. Johnson on ProzaKc Blues and a particularly strong thwack of Frying Pan, this is a strong set from Crimson. For his part, Fripp thought the band were back on form. “Tuesday night was much more powerful than Monday with band & audience meeting & matching. This is the kind of performance I associate with King Crimson.”
Gunn wasn’t entirely convinced, citing the improvs in this show as being somewhat problematic. “They just sucked the life out of the show. I think both Robert and Adrian heard practically nothing to play on these.” The first tentatively touches upon the TPTB bell tones territory, whilst the second eventually finds solid ground on a rock-out version of Seizure.
For Trey the show recovered to some extent after Dinosaur, (here sadly missing the first few introductory bars) going on to something of an emotional climax. “Heroes had something very powerful going on inside of it for me” refelected Gunn in his online diary. “I suppose it may just have been 'personal,' but my heart began to tear apart inside of that piece. I suppose one of the things about a 'classic' piece is that something both 'universal' AND 'personal' can speak through it. For me this was one of those moments.”
And speaking of the universal and the personal, check out Ade's teasing quote from the first KC album ahead of his rendition of Perfect Pair.
Show More
Show Less
