Setlist at The Summit Houston, TX on Dec 8, 1978
Set One
Badlands
284
Streets of Fire
335
It's Hard To Be A Saint In The City
283
Darkness On The Edge Of Town
267
Spirit In The Night
421
Independence Day
377
The Promised Land
319
Prove It All Night
708
Racing in the Street
537
Thunder Road
375
Jungleland
623
The Ties That Bind
244
Santa Claus Is Coming To Town
299
The Fever
496
Fire
203
Candy's Room
202
Because the Night
504
Point Blank
483
She's the One
717
Backstreets
537
Rosalita (Come Out Tonight)
703
Born to Run
287
Detroit Medley
563
Tenth Avenue Freeze-Out
249
You Can't Sit Down
192
Quarter To Three
259
The Summit
Houston, TX
Dec 8, 1978
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Setlist at The Summit Houston, TX on Dec 8, 1978
Set One
Badlands
284
Streets of Fire
335
It's Hard To Be A Saint In The City
283
Darkness On The Edge Of Town
267
Spirit In The Night
421
Independence Day
377
The Promised Land
319
Prove It All Night
708
Racing in the Street
537
Thunder Road
375
Jungleland
623
The Ties That Bind
244
Santa Claus Is Coming To Town
299
The Fever
496
Fire
203
Candy's Room
202
Because the Night
504
Point Blank
483
She's the One
717
Backstreets
537
Rosalita (Come Out Tonight)
703
Born to Run
287
Detroit Medley
563
Tenth Avenue Freeze-Out
249
You Can't Sit Down
192
Quarter To Three
259
Show Notes
- All proceeds from this release will go to MusiCares® Hurricane Relief Fund
- Bruce Springsteen: guitar, lead vocals, harmonica; Roy Bittan: keyboard; Clarence Clemons: saxophone, percussion, vocals; Danny Federici: organ; Garry Tallent: bass guitar; Stevie Van Zandt: guitar, vocals; Max Weinberg: drums
- Previously released on DVD/BluRay as part of The Promise: Darkness on the Edge of Town box set in 2010 / first time as audio-only release
- Recorded and Mixed by Bruce Jackson, FOH Engineer
- Mastered by Bob Ludwig, Gateway Mastering
- Production Supervision by Toby Scott
- Post Production by Brad Serling and Micah Gordon
- Art Design by Michelle Holme
- Tour Director: George Travis
- Management: Jon Landau, Barbara Carr, Jan Stabile, Alison Oscar, Laura Kraus
- Read essay by Erik Flannigan